Grade 11 • Unit B: A Brief History of Design • Lesson 9 of 44 • 2 Days

Art Nouveau & the War Poster

🗓️ Before Class: Teacher Prep

🖥️ Slide Deck (project or share with students)

Short, on-the-board pacing slides for today's Do Now, agenda, vocabulary, and exit ticket -- the full detail lives in the handout above, not here.

🧑‍🏫 Substitute Teacher Guide

A scripted, step-by-step runsheet for today's class -- hand this to anyone covering the room who doesn't know the daily routine.

Why history, in a design class

Every principle we use today -- grids, minimalism, bold color, expressive type -- was invented by someone responding to their own moment in history. Knowing where a technique came from helps you use it on purpose instead of by accident.

🎯 Essential Question

📈 Learning Objectives

By the end of this lesson (2 Days), students will be able to:

  1. Identify key visual traits of Art Nouveau (organic lines, decorative type, flowing forms).
  2. Explain how WWI/WWII propaganda posters used design principles (contrast, hierarchy, bold type) to persuade a mass audience quickly.
  3. Compare a decorative Art Nouveau piece with a stark wartime poster and identify what changed and why.

📐 Standards Alignment

CDOS (Career Development & Occupational Studies)

ACP (Adobe Certified Professional) Photoshop Exam Objectives

📚 Key Vocabulary

Art Nouveau
A decorative design movement (roughly 1890-1910) known for organic, flowing lines and ornamental lettering.
Propaganda
Design or media created specifically to persuade a mass audience toward a viewpoint or action.
Visual Persuasion
Using design choices (color, scale, type) deliberately to change how a viewer feels or acts.

🧰 Materials & Tools

🧠 Do Now (Warm-Up)

Posters had to work fast on a wartime audience walking by. What design choices help a message land in 2 seconds or less?

📋 Main Workshop / Lesson Sequence

This lesson spans 2 Days. Suggested pacing:

DayFocusPlan
Day 1History & AnalysisDo Now (5 min). Mini-lesson (15 min): the movement's historical context and visual traits. Guided analysis (10 min): as a class, annotate one real example together, identifying specific techniques. Independent analysis (15 min): annotate 2 more real examples on your own, identifying specific techniques.
Day 2Applied StudioDo Now (5 min): name 2 visual traits of yesterday's movement. Studio time (30 min): create a small paper (or digital, if already introduced) composition deliberately imitating the movement's style. Written connection (10 min): write 2-3 sentences connecting a technique from that era to something you could use in your own client work.

✅ Assessment & Exit Ticket

Annotated examples + studio piece scored with a rubric: accurate identification of the movement's traits, and a genuine, specific connection made to modern/personal design work.

Exit Ticket: Name one specific technique from today's movement you could actually use in a future project.

📊 Pull up the anonymous Class Check-In for students to fill out before they go.

🧩 Differentiation & Accommodations

English Language Learners: model every step live, then check in one-on-one; provide translated materials and vocabulary support as needed. Students with IEPs: apply the accommodations and modifications listed in each student's plan (examples include extended time, graphic organizers, speech-to-text tools, chunked instructions, and visual schedules). Students with attention-related needs: break tasks into short, checklist-driven steps and provide brief movement or focus breaks. Students ready for a challenge: take on a leadership role critiquing peers' work, extend the project with a second iteration, or research how today's skill is used professionally in the field.

🔗 Resources & References